He can run, climb, and slide around in a very fluid manner that’s easy for the player to control. That is partially due to the excellent free-running movement system. But what would be a boring slog in other open-world games is genuinely fun in Dying Light because of how you accomplish the objectives. Yet, from a gameplay standpoint, they consist of fetching things, traveling to kill a thing, finding this thing, the usual.
KYLE CRANE DYING LIGHT FULL
They are fully voiced, and full of unique and interesting character’s to interact with. I mentioned earlier that the game has fairly ho-hum side quests. Where the game really shines is in its gameplay. You unlock a wide variety of traversal, combat, and crafting options.
A couple of characters do incredibly stupid things for the sake of the story, but it’s all entertaining anyway. The protagonist is likable, and the villain is predictable. The overall story is no award winner, but it’s interesting enough that you will care about the characters and what happens to them. The voice acting is pretty good all the way around, and the characters are varied and interesting, even if you spend a criminally short time with some of them. Anything else tends to be an unwanted distraction though. Dialogue works well with the feature as it usually happens when an NPC is talking to you via radio, so it adds to the atmosphere. On the PS4, the game takes advantage of the controller’s built-in speaker function by playing specific audio through it. The zombies themselves sound creepy, and hearing the scream of a feral runner in the distance will make your hair stand on end. The crunch of bones when impacting a zombie with a blunt weapon is satisfying as well as the “ZING” of blades cutting through undead flesh. Likewise, the sound also stands the test of time quite well and contributes to the spooky atmosphere of the game or helps amp you up in more adrenaline-filled situations. The buildings, cars, and terrain all look excellent, the vegetation isn’t amazing, but it’s serviceable enough not to detract from the overall experience. The flashlight effects are lackluster, however, which is a shame as you will be using it quite a lot during your time in Harran. The lighting is excellent, particularly during dawn and dusk within the game’s full 24 hour day and night cycle. It’s not uncommon to find yourself fighting two clones of the same zombie model at a time. However, the models do repeat more often than I would like.
The gruesomely depicted features make them look both disgusting and intimidating. The human character models are detailed, as are the zombies. Hear No Evil, See No Evilįor an older game, the visuals hold up incredibly well, despite a few nitpicks. Dying lights big varied open world, combined with its free-running system is a great combo. It’s rare for travel in open-world games to be fun, but in Dying Light, it is. The free-running movement manages to take a fairly standard, go here, do this, set of missions, and transforms them into fun and fright-filled affairs.
The general mission structure is a pretty standard affair as open-world games go, but Dying Light sets itself apart with its movement and combat system. All while scavenging for weapons, items and hunting down airdrops.
KYLE CRANE DYING LIGHT FREE
Once the metaphorical training wheels come off, you are free to run the streets of Harran at your own leisure. (Or maybe that last part is just me).ĭying Light is an open-world game that grants you access to most of the city pretty early in the game. That changes pretty quickly, and in no time, you will be running for your life, scavenging massive amounts of coffee to sell, and crying under a blanket praying for the sun to rise. Kyle’s mission starts somewhat unrelated to the actual outbreak. Kyle’s assigned to a mission in the city of Harran which is currently quarantined in the face of its own little zombie apocalypse. An agent of the fictional organization known as the Global Relief Effort, or GRE. Dying Light puts the player into the shoes of Kyle Crane.
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